Just read a piece by the ‘great travel writer’ Jan Morris in the Guardian today. I’ve never heard of her but am willing to accept that is entirely down to my ignorance.
My attention was captured by Jan’s attitude to the cities she has visited in a career spanning many decades. Intriguingly, she treats the places she’s visited as people. She’s met them in favourable or unfavourable circumstances at a certain point in time and a relationship has developed of either liking or loathing on both sides.
Yes, that’s right. Jan’s relationships with cities are very definitely reciprocal.
I am one with this. I always feel very black and white about places, especially cities. It is just like meeting a person. You immediately become aware of their personality and whether it’s a good fit with yours. In the case of cities, you either like how they look (architecture, street plan, public spaces) – or you don’t. You either warm to the people (they’re friendly, energetic, helpful or vibrant) – or you don’t.
But there’s something else as well. All cities have their own unmistakeable atmosphere. Perhaps this is the sum total of everything - people, architecture, public spaces, and the businesses that call the city home. But it’s also something less tangible. It’s essence itself and it includes the history, whether turbulent or serene, and location, especially if it’s on a river, beside a mountain or on the coast.
Cities I have known and loved? Bursa in Turkey is one. I spent a year there and constructed a complicated relationship with that metropolis. Nudging the foothills of Uludag (Great Mountain) the city can’t escape the massive mountain rising just behind. It dominates the weather bringing heavy snow in winter and oven-temperature heat in summer. And it dominates the citizens’ thinking as well as it moves in and out of focus like a camera lens (again depending on weather conditions and visibility).
Cities I haven’t? San Sebastian left a strong impression. It might have been because I was tired (and I definitely was because we were camping and there was a thunderstorm right through the night), but I went there ready to love it and just didn’t. It seemed on the surface to have everything – beaches, headlands, shops and cafes, a vibrant population… but something didn’t add up. It just didn’t feel right. We headed back over the border next morning.
I’ve never been back. Just like friendships it’s best to move on. New places, urban spaces, to stimulate your mind and shift your soul. Just glance through a ‘city break’ travel brochure or surf a travel website and notice which places, pictures and descriptions lift your heart.
Who knows, it may be your new city friend calling you home.
Wednesday, 2 December 2009
Subscribe to:
Post Comments (Atom)
I suppose our bonding with places is similar to the way you walk into a house and feel either at ease or ill at ease with it. I shall read the Jan Morris article. But first, I wanted to say that this is a really interesting blog - the way you identify with the subject matter of Jan Morris's writing and then take it over to be your own subject matter.
ReplyDeleteI love your description of Bursa in Turkey...the nudging of the mountains and the way you describe it's power over its citizens. And then to balance your article you tell us about San Sebastian and how it, despite it 'having everything', it didn't 'add up'. Excellent.
I think you would be interested to read about Jan Morris. Jan was born James in Wales in the 1920s. James went on to marry and he and his wife had five children...but James went to Morocco to become Jan...later divorcing his wife...but then getting back with her again. Quite a complex character, I should think. He served in World War II in the 9th Queen's Royal Lancers, and later wrote for The Times. As The Times correspondent Morris accompanied the British expedition on it's conquest of Mount Everest.
Maybe his/her lifelong dealings with his/her emotions which must have been conflicting and confusing is what makes her so perceptive and receptive to places and people.
This is a very good piece Kathryn. It moves along really well and is interesting, personal without being trite. Sally
Blimey! There was no mention of that in the article (though I guess the text contains clues). I did wonder what a British gentlewoman was doing in war-torn Trieste and other unlikely places and she does not shed any light on this. The article is just a book promotion really.
ReplyDeleteThe background you supply is a good lesson in doing the research. My excuse is that it is only a blog and if I'd been writing an article I would have done my homework.
But yes, it casts a whole new light on Jan's relationships with places!
Re Jan's relationships with places.... yes knowing her background could cast a whole new light on how she interacts with places. . However everyone is complex - in their own way - so I don't suppose it makes any difference if Jan is Jan or is James turned Jan. And in most of her articles, Jan Morris makes no mention of her background. However, it is interesting to know these things. Does it change our opinion of them or their writing or how we perceive their work? One could argue that it shouldn't do. But then I think we are in another realm of discussion. All interesting stuff. But as you say - research often sheds new light on things.
ReplyDeleteI really loved reading this piece - so delecately, elegantly and tightly written. Makes me wish I'd travelled more. Though you say very little about a couple of countries, you do make me feel I know them a little now. I love the idea of the place coming in and out of focus, and that places are like friendships. This is a really delightful read, I think.
ReplyDeleteThanks for your compliments Alison. I haven't travelled a great deal but places have always had a strong effect on me and it's interesting to reflect on why.
ReplyDeleteSally, I think it matters. It’s like withholding the truth about herself and her travel experiences. But I guess it's a difficult thing to slip in unobtrusively! In any case, it's her private life but it does take something away from the honesty of the article.
Ironic that I called this piece 'Behind the mask', thinking of a city's face, when it suits Jan perfectly!